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<div dir='ltr' align='left' ><a href="./xml_out.php?a_id=34"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Textual Fragmentation and Dispersion in Alive in the Dead Sea </strong><br> Zahra Beheshti, Shaker Amery ^*, Sadeq Askari, Aliakbar Noresideh<br><a href="article-1-34-en.html">Abstract</a> <a href="browse.php?a_id=34&sid=1&slc_lang=fa"> -  الملخّص </a> -   <a href="browse.php?a_id=34&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=44"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Narrative Space in I Had a Heart </strong><br> Ali Afzali ^*, Ali Mahmoud Habib Al Mojbeli<br><a href="article-1-44-en.html">Abstract</a> <a href="browse.php?a_id=44&sid=1&slc_lang=fa"> -  الملخّص </a> -   <a href="browse.php?a_id=44&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=49"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Reading In My Heart: A Hebrew Girl Based on Roland Barthes’ Narrative Codes </strong><br> Roghaieh Rustampourmaleki ^*, Zahra Aghajani Alishah<br><a href="article-1-49-en.html">Abstract</a> <a href="browse.php?a_id=49&sid=1&slc_lang=fa"> -  الملخّص </a> -   <a href="browse.php?a_id=49&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=53"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> The Image of "Sheikh of the Arabs" in Egyptian Popular Imagination</strong><br> Miral Mahgoub A-l Tahawy ^*<br><a href="article-1-53-en.html">Abstract</a> <a href="browse.php?a_id=53&sid=1&slc_lang=fa"> -  الملخّص </a> -   <a href="browse.php?a_id=53&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=48"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> The Function of Narrator: Reading Al-Tantouria Based on Gerard Genette’s NarrativeTheory</strong><br> Nasrin Abasi, Salahadin Abdi ^*<br><a href="article-1-48-en.html">Abstract</a> <a href="browse.php?a_id=48&sid=1&slc_lang=fa"> -  الملخّص </a> -   <a href="browse.php?a_id=48&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=23"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> The Structure of Characterization in The Flower Quay No Longer Answers</strong><br> Aliakbar Noresideh ^*<br><a href="article-1-23-en.html">Abstract</a> <a href="browse.php?a_id=23&sid=1&slc_lang=fa"> -  الملخّص </a> -   <a href="browse.php?a_id=23&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=26"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> The Representation of “Self” and “Other” in When We Left the Bridge</strong><br> Mehrdad Aghaei ^*, Afaf Dagery<br><a href="article-1-26-en.html">Abstract</a> <a href="browse.php?a_id=26&sid=1&slc_lang=fa"> -  الملخّص </a> -   <a href="browse.php?a_id=26&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=55"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Narrative Techniques in Warraq Al-Hob: A Genettian Study </strong><br> Dr. Zohreh Naemi, Dr. Abdollah Hosseini, Miss. Yosra Tarafrava,Miss ^*<br><a href="article-1-55-en.html">Abstract</a> <a href="browse.php?a_id=55&sid=1&slc_lang=fa"> -  الملخّص </a> -   <a href="browse.php?a_id=55&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=105"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> The Dialectic of Character and Space in Hina Tarakna Al-jisr </strong><br> Shahriar Giti ^*, Fatemeh Yousefi<br><a href="article-1-105-en.html">Abstract</a> <a href="browse.php?a_id=105&sid=1&slc_lang=fa"> -  الملخّص </a> -   <a href="browse.php?a_id=105&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=106"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Narrative Techniques in Pay with the Best</strong><br> Zaid Jibril Muhammad ^*, Nura Lawan Abubakar<br><a href="article-1-106-en.html">Abstract</a> <a href="browse.php?a_id=106&sid=1&slc_lang=fa"> -  الملخّص </a> -   <a href="browse.php?a_id=106&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=107"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Historical and Fictional Narratives in Belgrade Druze</strong><br> Fatemeh Parchegani ^*<br><a href="article-1-107-en.html">Abstract</a> <a href="browse.php?a_id=107&sid=1&slc_lang=fa"> -  الملخّص </a> -   <a href="browse.php?a_id=107&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div><div dir='ltr' align='left' ><a href="./xml_out.php?a_id=108"><img src="./templates/tmpl_modern01/images/xml.gif" width="26" height="14" border="0" alt="XML" /></a> <strong> Parallel Structures in The March of Captives on the Fortieth Day</strong><br> Abdulelah Abdulwahhab Hadi ^*, Bassam Dawood Al-Zubaidi<br><a href="article-1-108-en.html">Abstract</a> <a href="browse.php?a_id=108&sid=1&slc_lang=fa"> -  الملخّص </a> -   <a href="browse.php?a_id=108&sid=1&slc_lang=en&ftxt=1">Full Text</a> (PDF) <a href="" target="_blank"> </a> <a href="" target="_blank"> </a> <hr class="articles_bar_hr"></div>

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