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This study aims to focus on the postmodern thought of Gilles Deleuze, who was a pioneer of creative thinking and attempted to offer a new perspective on knowledge and philosophy by emphasizing change and transformation rather than stability and representation, and by valuing innovation over imitation. One of the key features of his philosophy is his attention to continuous transformation and the rejection of fixed logic and absolute rational goals. By exploring Deleuze's philosophical horizons, we can uncover valuable insights into his concepts and theories. Deleuze viewed language not merely as a means of communication, but as something far beyond that. Based on this view, a broader and deeper understanding of language can be gained through such a study. Deleuze's rhizomatic approach emphasizes the disruption of structured systems and coherence, with rhizomatics playing a central role in his ideas. It is one of the key postmodern theories, and thus proving and applying it in artistic works is highly significant. Reading a literary text based on this theory holds considerable importance. Rhizomatics provides an opportunity to analyze postmodern literature or narrative from a new perspective, which constitutes one of the primary motivations behind this research. In this context, the works of Iraqi writer Ali Badr emerge as a model of such writing. We aim to apply the rhizomatic theory to the novel The Harass Altabacco in order to present a postmodern narrative perspective through the lens of Deleuze’s rhizomatics. Through this research journey, we concluded that the rhizome in The Harass Altabacco is formed on the basis of various principles such as multiplicity, difference, rhizomatic connection and Hetrogeneity, Asignfying Rupture, and other principles related to rhizomatic writing.

Keywords: Arabic narrative, Rhizomatics, Deleuze, Harass Altabacco, Ali Badr.

     

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