Narrative analysis play a pivotal role in modern and postmodern literary studies. Within this literary periods, the traditional and historical mode of narrative analysis are replaced with new one whereby it distanced itself from monophonic and linear narratives. This mode of narrative not only dispensed with coherent narratives and grand narratives but also blurred the boundaries between personal pronouns as the result of which the “self” mode of narration is replaced by the “other” mode of narration. Literary critics call this mode of narration “polyphonic”. Considering the significance of this mode of narration, this research examines different dimensions of polyphony in Rabee Jaber’s novels. In Confessions (2007), he utilized polyphony in such a way that most of the characters play an important role in the narration of the events of the story and the narrator does not control other characters. This research finds that polyphony in this novel is observable through multiple points of view, multiple characters, and the presentation of social and political issues from different angles. This multiplicity/diversity reinforces the storyline and provides new perspectives on the realities of the Arab world, as well as the use of multiple verbal styles in presenting the characters of the narrative. In this novel, Rabee Jaber does not narrate his confessions to the audience; rather it is a narration of him by others.
