Showing 4 results for Maqama
Manal Fallah,
Volume 1, Issue 2 (8-2020)
Abstract
The semiotic method is one of the most important methods that approach heritage texts, approaches that enabled researchers to reread and interpret new interpretation. This article deals with the analysis of the Maqama {old type of story} of Eid by Ibn Morabea Al Azdi, a semiotic analysis that reveals the hidden relationships and the deep structure, but this does not mean that the meaning is final, because the text according to the semiotic method remains open. We concluded that this maqama is a reflection of a set of values, behaviors or ideology, and its deep structure reveals the desire for wealth, through the counterparts of poverty and wealth, support and compliance.
Hanilah Mohd Ismath, Abdul Hadi Abd Aziz, Nor Zainiyah Norita Mokhtar, Arina Johari,
Volume 2, Issue 1 (3-2021)
Abstract
Abstract
Since the graphic images of an analogy, metaphor, metaphor, and metaphor, seek to influence the recipient and enable meaning in his mind, it can be said that they are of deliberative dimensions. This research has investigated the maqamat of al-Zamakhshari with a descriptive-analytical method, in order to reveal the features of deliberation, represented by the means of harmony in the science of rhetoric through the process of thinking and interpretation. In other words, the research deals with the Arab linguistic heritage and attempts to relate it to the data of Western theory in accordance with the concept of text's syntax in proportion to it with the maqamat of Zamakhshari. What is noticed in these maqamas is that textual coherence is clearly evidenced. Al-Zamakhshari has employed the means of harmony well, weaving its maqamat coherently, and the text of the text was realized with the emergence of these means. In the analysis of the maqamat, the importance of the recipient’s role in analyzing the text and deciphering its elements was highlighted by his perception of the language of the text and its context. The study demonstrated the close relationship between Arab heritage and the text's syntax, and this is what we have seen from the contribution of the science of rhetoric after it, one of the means of text harmony.
Mohammad Ghafourifar, Israa Abdulhasan Abdulkareem Al-Mimar, Malek Salemi,
Volume 4, Issue 3 (10-2022)
Abstract
Ibn Sharaf al-Qayrawani is considered as one of the most famous writers on the subject of writing maqama, in which he draws inspiration from literary techniques such as allusions, proverbs, grammatical and jurisprudential riddles, and others. This research, using a descriptive-analytical method, tries to analyze her artistic and creative features in writing maqama by examining the narrative structure in Ibn Sharaf al-Qirwani’s authorities and narrative factors. The study finds that considering narrative elements, Ibn Sharaf al-Qairwani has a special skill in presenting fictional characters both directly and indirectly. Also, the structure of time is consistent with the artistic rhythm of maqamah. In addition, he excels in structuring the plot by presenting events in a somewhat coherent form.
Hosein Marashi, Azam Sadegian,
Volume 18, Issue 1 (9-1983)
Abstract
Muhammad Mu'min Al-Jaza'iri Al-Shirazi is a notable Iranian author interested in the art of Maqama in the late 11th and early 12th centuries. His works include several Maqamas found in three books: Maqama Nasikha, Tayf al-Khayal, and Khazanat al-Khayal, though many remain unpublished. The Maqamas authored by Muhammad Mu'min Al-Jaza'iri differ from those of Badi' al-Zaman al-Hamadhani and Al-Hariri in terms of style, subject matter, and purpose. The writer deviates from the established norms of the Maqama genre, showcasing a unique approach that distinguishes his work within this literary tradition. Somewhat, this made the author an innovative figure in this literary style. Among all his Maqamas, one that particularly catches our attention is the Swadiya, the seventh Maqama in the book Tayf al-Khayal, which discusses the debate between knowledge and wealth. In this work, the author breaks away from the principles established by Badi' al-Zaman al-Hamadhani and Al-Hariri. This study focuses on the narrator's role and types within the Swadiya Maqama, highlighting its artistic and aesthetic value through modern methodological tools. The research reveals that the author employs a first-person narrative style, conveying events with personal feelings and limited knowledge while expressing internal emotions without accessing characters' thoughts. A key feature is the use of multiple narrators, providing varied perspectives. The study also emphasizes the use of epistolary art in this Maqama, suggesting it represents a new type of epistolary narrative in Arabic literature.