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Abdulelah Abdulwahhab Hadi, Bassam Dawood Al-Zubaidi,
Volume 1, Issue 1 (3-2019)
Abstract

The work searches for the structure of the event and its analogies in the text, trying to benefit from (Todorov's) study of patterns, which were identified by three styles: (inclusion, rotation and succession). The problem is related to uncovering the origins of the creative fictional text through the structural approach, in order to open a new horizon for analyzing the fictional text, which makes the text more effective. The revolution of Imam Hussein, peace be upon him, is eternally immortal, not dead after successive ages, and it will not be forgotten, but rather becomes more lenient. Over the years. And the immortality of the Hussaini Revolution lies in many reasons, including its reform goal and its wise leadership, then its humanity, which it draws from values ​​and ideals, and the Hussaini Councils have a great impact on their perpetuation, especially in the days of Muharram and Safar, and these councils include preaching and counseling, knowledge of legislation and what a person needs in terms of science and concepts. Other, and the imams (peace be upon them) emphasized the revival and establishment of these councils in order to reinforce the eternity of the goals of Imam Hussein, peace be upon him, and his revolution.

Farhad Rajabi, Milad Tajrobehkar,
Volume 6, Issue 4 (7-1983)
Abstract

Social agents play an important role in shaping a text or discourse. They are central to its meaning and purpose. However, little atention is given to how they are represented. Van Leeuwen argues that agents are represented in two main ways: exclusion and inclusion. Each has its own subcategories. Understanding these representations helps reveal underlying discourses.
This article has chosen the novel Sa’at Baghdad by the Iraqi author Shahad Al-Rawi as a research subject. It aims to examine the representation of social agents in this novel. It will also identify and introduce the main functions of these social agents that passes through the underlying layer of the story, This research aims to understand the discourse of the work. It also examines the socio-semantic functions that these agents show to the reader through their representation
The results show that the author uses various methods of representation. However, the focus is more on inclusion than exclusion to describe the tragedies of Iraq. Among the inclusion strategies, partial identification is emphasized the most. It highlights movement and dynamism in the story, despite themes of war, destruction, and occupation. This research follows a descriptive-analytical approach.


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