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Nasrin Abasi, Salahadin Abdi,
Volume 1, Issue 1 (3-2019)
Abstract

Nasrin Abbasi:                nasrinabasi10@yahoo.com
PhD of Arabic Language and Literature Bu-Ali Sina University, Hamadan, I.R.Iran
Salahaddin Abdi                 s.abdi@basu.ac.ir   (Corresponding Author)
Associate Professor of Arabic Language and Literature, Bu-Ali Sina University, Hamadan, I.R.Iran
The analysis and examination of the function of narrator in a literary text plays an important role in reading it from a new point of view.Gerard Genette, the French narrative structuralist, has theorized the role and function of narrator(s) in literary texts. RadwaAshour’s historical novel,Al-Tantouria(2010) in which the author utilizes different narrative techniques, is a good case study from a Genettian point of view. In the novel, the author utilizes different intradiegetic narrativeforms: observer narrator, I-as-protagonist, I–as-witness, and second-person narrator. In the novel, due to the first-person narrator lack of knowledge, the author takes advantage of the observer narrator to fill the mentioned gap. Thenovel, due to its temporal fragmentation in describing events as well as the limited first-person narrator,has been studied from a variety of narrative point of views. In the course of the novel, I–as-witnessand second-person narrators narrate events and actions from their point view as the author-narrator narrates the story in the absence of the protagonist. In the novel, monologues are addressed to intradiegetic audience, and therefore are dramatized. Drawing on Genette’s narratology theory and adopting a descriptive-analytical method,this article examines different dimensions of the narrative in Al-Tantouria as well as their role in the production of meaning. The analysis and examination of the function of narrator in a literary text plays an important role in reading it from a new point of view.Gerard Genette, the French narrative structuralist, has theorized the role and function of narrator(s) in literary texts. RadwaAshour’s historical novel,Al-Tantouria(2010) in which the author utilizes different narrative techniques, is a good case study from a Genettian point of view. In the novel, the author utilizes different intradiegetic narrativeforms: observer narrator, I-as-protagonist, I–as-witness, and second-person narrator. In the novel, due to the first-person narrator lack of knowledge, the author takes advantage of the observer narrator to fill the mentioned gap. Thenovel, due to its temporal fragmentation in describing events as well as the limited first-person narrator,has been studied from a variety of narrative point of views. In the course of the novel, I–as-witnessand second-person narrators narrate events and actions from their point view as the author-narrator narrates the story in the absence of the protagonist. In the novel, monologues are addressed to intradiegetic audience, and therefore are dramatized. Drawing on Genette’s narratology theory and adopting a descriptive-analytical method,this article examines different dimensions of the narrative in Al-Tantouria as well as their role in the production of meaning.  

Bashir Ameen,
Volume 2, Issue 2 (9-2021)
Abstract

Abstract
Mashood Mahmood Jimba is a contemporary Arabic literary writers who has contributed tremendously to the development of Arabic literature in Nigeria. He traveled to different countries for  religion, educational and cultural purposes. He documented places, beautiful images, geographical  and living conditions of many countries he visited,  He equally recorded historical, cultural and social lives, and ideas of people during his journeys. This research aimed to reveal the narration techniques in his travels to evaluate the availability of narrative discourse components in his travelogue to access the successful of his method in narrating travel discourse. The researcher used the structural approach with the help of descriptive method .The results of the study shown that, the style of the author is characterized by many narrative techniques, these characteristics includes; the use of open and closed spaces during the course of events, and while narrating the time of events, he employed flashback and flash-forward to create mismatch between story time and narration time. But while narrating the narration time the traveler summarized and delete some events to speed up some events and avoid secondary events that do not contribute to the narrative context. while slow down the narration process he employed descriptive pause and dialogue scene to disrupt the events and give the characters the opportunity to present their feelings and emotions without interruption by the narrator The author combined between Primary and secondary characters, and exposed their Physical, psychological and social dimensions.  He equally convert primary narrator to secondary narrator in some context
Hosein Marashi, Azam Sadegian,
Volume 18, Issue 1 (9-1983)
Abstract

Muhammad Mu'min Al-Jaza'iri Al-Shirazi is a notable Iranian author interested in the art of Maqama in the late 11th and early 12th centuries. His works include several Maqamas found in three books: Maqama Nasikha, Tayf al-Khayal, and Khazanat al-Khayal, though many remain unpublished. The Maqamas authored by Muhammad Mu'min Al-Jaza'iri differ from those of Badi' al-Zaman al-Hamadhani and Al-Hariri in terms of style, subject matter, and purpose. The writer deviates from the established norms of the Maqama genre, showcasing a unique approach that distinguishes his work within this literary tradition. Somewhat, this made the author an innovative figure in this literary style. Among all his Maqamas, one that particularly catches our attention is the Swadiya, the seventh Maqama in the book Tayf al-Khayal, which discusses the debate between knowledge and wealth. In this work, the author breaks away from the principles established by Badi' al-Zaman al-Hamadhani and Al-Hariri. This study focuses on the narrator's role and types within the Swadiya Maqama, highlighting its artistic and aesthetic value through modern methodological tools. The research reveals that the author employs a first-person narrative style, conveying events with personal feelings and limited knowledge while expressing internal emotions without accessing characters' thoughts. A key feature is the use of multiple narrators, providing varied perspectives. The study also emphasizes the use of epistolary art in this Maqama, suggesting it represents a new type of epistolary narrative in Arabic literature.
 

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