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Showing 2 results for Ibrahim Nasrallah

Faramarz Mirzaei, Ahmad Arefi, Eisa Mottaghi Zadeh,
Volume 1, Issue 2 (8-2020)
Abstract

Indeed, the thought that forms the artistic egation in Syntax to Negation of Revolutionary Values: Aesthetic Analysis of Negation in The Second Dog War
view of the literary text organizes the syntactic composition in the text, so the only way to reach that thought is to understand the syntactic meanings derived from the syntactic composition. That is, whenever the view of pessimism prevails over the text, the meanings derived from the syntactic composition appropriate to that view prevail over the text. We observe this in the novel "The Second Dog War" by Palestinian novelist Ibrahim Nasrallah, which is dominated by pessimism, because the characters in the novel are very negative and opportunistic, In particular, the protagonist of the novel, Rashed, who transcends all moral and social values in the pursuit of her own interests, in such a way that she fights against the revolutionary values she fought for in the past, So she rejects all those values to the point that with the help of the officer, she changes from a prisoner to a jailer and cooperates with the officer with full skill in trading with humans. This denial of values and their rejection linguistically fits the style of denial So, this style has been used more in this novel than other syntactic styles in order to fit the pessimistic view of the novel and the three levels of language, including Narration, dialogue, and description. It is because of this pessimistic view that the style of negation has a high status in the novel, especially in the matter of similarities, which are becoming more and more present in the novel, to the extent that the distinction between the original things and their similarities despite their differences in nature, it becomes very difficult. This article seeks to examine the aesthetics of the negation style in order to reveal the appropriateness between the negation tools and the pessimistic view along with the three linguistic levels using analytical descriptive methods with the help of statistical style to conclude that the narrator in this novel, The negative style has been used 1759 times, thus 52%, which is quite commensurate with the prevailing pessimistic view of the novel and the resulting corruption of oppressive Palestinian systems, because in the novel there are negative opportunistic characters who do negative things in the way of realization. They benefit, especially the protagonist of The Novel Rashed, whose character is completely negative, to the point that he turns his positive character into an opportunistic negative character.

Saeid Savari,
Volume 4, Issue 1 (12-2022)
Abstract

Literary genres in the contemporary period, especially since the use of narrative techniques by contemporary poets, have got intertwined, and poets have used narrative techniques for aesthetic purposes and connecting them with meaning in poetry. With regard to this, this study examines the contemporary prose-odes of Ibrahim Nasrallah and the interaction between contemporary poetry and narrative techniques in order to analyze their aesthetic and semantic features. The study adopts a descriptive-analytical framework in order to both extract narrative techniques from contemporary prose odes and explain why the poet does not depart from the structure of poetry and prose odes despite the use of story-telling techniques. It finds that the mixture of real and emotional dimensions in Ibrahim Nasrallah’s poetry is due to the Palestine case which forms the main real part of his poetry. The poet's narrative techniques are aesthetic devices to communicate the aesthetic and semantic dimensions of his odes. In this regard, the poet’s poetry responded to narrative elements, built upon several techniques and methods that express his vision, ideas, and emotional state. His style consists of literary aesthetic and semantic development in order to cover spaces, contexts, and semantic gaps, as well as a dense plurality of transferring images and narrative profiles in order to expand the poetic text towards worldview.


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