Search published articles


Showing 2 results for Confessions

Abdulbasit Arab Yousefabadi, Fatemeh Piri ,
Volume 5, Issue 4 (6-2024)
Abstract

Narrative analysis play a pivotal role in modern and postmodern literary studies. Within this literary periods, the traditional and historical mode of narrative analysis are replaced with new one whereby it distanced itself from monophonic and linear narratives. This mode of narrative not only dispensed with coherent narratives and grand narratives but also blurred the boundaries between personal pronouns as the result of which the “self” mode of narration is replaced by the “other” mode of narration. Literary critics call this mode of narration “polyphonic”. Considering the significance of this mode of narration, this research examines different dimensions of polyphony in Rabee Jaber’s novels. In Confessions (2007), he utilized polyphony in such a way that most of the characters play an important role in the narration of the events of the story and the narrator does not control other characters. This research finds that polyphony in this novel is observable through multiple points of view, multiple characters, and the presentation of social and political issues from different angles. This multiplicity/diversity reinforces the storyline and provides new perspectives on the realities of the Arab world, as well as the use of multiple verbal styles in presenting the characters of the narrative. In this novel, Rabee Jaber does not narrate his confessions to the audience; rather it is a narration of him by others.

Mrs Mina Azizi, Dr Parviz Ahmadzadehhouch, Dr Ali Sayadani, Dr Maryam Bakhshi,
Volume 6, Issue 4 (4-2025)
Abstract

Critical discourse analysis (CDA) is arguably an evolution of discourse analysis in which, apart from superficial description of linguistic data, the influential processes in the formation of discourse are analyzed. Discourse analysis addresses social and linguistic approaches. In the social approach, discourse and contextual elements are examined while in the linguistic approach textual context is studied. The objective of discourse analysis is to analyze the structures of power, exploitation, and the resultant political, social, and cultural inequalities as presented in a text. This study examines Mu'nis Razzaz’s Confessions of a Silencer according to Norman Fairclough’s critical discourse analysis approach at description, explanation, and interpretation levels. Considering Fairclough’s description level, it is argued that the novelist expresses his patriotic political ideas by repeating and visualizing certain keywords throughout the novel highlighting its thematic content. At the level of interpretation, the novelist refers to contextual situation and intertextual discourses such as the Baath Party and the myth of Sisyphus to pinpoint the oppression of masses and destruction of revolutionary ideas. At the level of explanation, the novel is treated as part of the process of social struggle within the context of power relations which portray the reactionary thoughts among people whose lack of realistic perspective in the beginning and end of the novel underpin the failure of the popular movements.


Page 1 from 1     

© 2025 Studies in Arabic Narratology

Designed & Developed by : Yektaweb