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Showing 2 results for Shadman

Yousra Shadman,
Volume 1, Issue 2 (Spring and summer 2020)
Abstract

The Arabic novel is the result of global intellectual developments, the emergence and growth of which has been influenced by Western ideas particularly since the mid-nineteenth century. This study attempts to examine the narrative features of contemporary Arabic novels in a descriptive-analytical manner by collecting, analyzing, and interpreting information. In the early 1960s, the Arabic novel entered a new phase of development since the late nineteenth century; in the last three decades it has proved its own unique and special linguistic features. This study examines Naguib Mahfouz’s Arabian Nights and Days and Abdul Rahman Munif’s The Wanderer, the two novels which share common narrative features and structures. In order to analyze the story at different, its narrative structure, and omniscient narrator it is possible to apply the traditional narrative method (such exposition, conflict, climax, and falling action), examine the characterization of protagonists, and dialogues between the characters.

Yosra Shadman, Nemat Azizi, Kholud Khazir Abed,
Volume 6, Issue 2 (4-2025)
Abstract

Heritage constitutes a prominent part of Ahmed bin Alwan’s poetry due to his love for heritage on the one hand and his desire to communicate with his Islamic audience and the Arab intellectual on the other hand. Therefore, he used inheritance in a collection of poems. This study attempts to shed light on the evocation of inheritance and its aesthetic and semantic role in his poetry through by using a descriptive-analytical framework. It examines the numerous manifestations of intertextuality in the poetry of Ahmed bin Alwen as he draws on heritage in its various types in his collections. Intertextuality was divided into types: Qur’anic and narrative intertextuality out of which religious intertextuality evolves. There are also three types of artistic intertextuality: dialogic, absorptive, and ruminate. The poet used religious intertextuality for many purposes, the most prominent of which was the sanctification of some figures such as Idris (peace be upon him) and   Ahl al - Bayt. The poet’s utilized religious intertextuality to reveal ancient Islamic glory with the aim of linking the nation’s present with its antiquity.


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