Showing 6 results for Roshanfekr
----- Zahra Safarpoor, Dr Akram Roshanfekr, Dr Amir Hossein Rasulnia, Dr Mohsen Saifi,
Volume 3, Issue 1 (Fall and winter 2022 2022)
Abstract
The novel is not only a type of narrative; Rather, on the occasion of benefiting from writing techniques, it has a full capacity for analysis based on contemporary critical theories, because if its structure is mounted in a correct way, it will be fully capable of layering. The underlying parts of its superstructure can be better charted based on structural analysis. In the meantime, Todorov's theory, with the collective wisdom of structuralists, provides a precise engineering system for analyzing the novel. Todorov considers three levels in the geometry of the novel. The first level is the text of the novel, which is provided by the storage of words of the author in the pages of the novel, and the words are coded according to the author's ability, and according to his innovation, they sit side by side in such a way that understanding them is crucial. It requires technical skills. That's why, in examining the text, one should focus on the writing techniques and techniques so that by recognizing the common points, the differences can be identified and the author's artistic performances in the text can be identified. Apart from the text, the second level of the geometry of the novel, from Todorov's point of view, are the series (progresses). This article aims to analyze the novel Harith al-Miyyah by Hoda Barakat in a descriptive-analytical way, based on Todorov's narrative series. The most important result is that this novel was written with a main series, a secondary series, and a semi-series with a narrative interior, and alternation in the narration. Harith al-Miyah also shows a full capacity in adapting Todorov's narrative aspects, because it has news and non-news aspects and various examples in non-news types, including desire, in two mandatory and wishful types, and hypothetical in two conditional types and The forecast is found in it.
Kobra Roshanfekr , Samira Heidarirad,
Volume 3, Issue 2 (Spring & Sammer 2022)
Abstract
The female biography plays a significant role in expressing the ideology of the female writer and shows the importance of women writers in relation to the important issues of the society. In other words; the writing of female autobiography is different from other types of literature because it directly emphasizes the essence of women in the face of the patriarchal society and is the best way to depict the concerns of women, especially Arab women. The current research is trying to examine the biography of the Egyptian writer Razavi "Al-Sarkha" based on the descriptive-analytical approach and relying on cultural criticism. "Sarkha" is the second part of the book "Asqal Man Razavi" in which he combines the experience of his personal life and the political events of the country. In other words, he portrays his severe illness, which is associated with the unsettled conditions of Egypt in 2010-2013. The most important results of the research are: Razavi Ashour is an intellectual writer who in his biography talks about women who had a deep influence on the formation of his personal experience. Also, culture and society play a significant role in the formation of Arab women's identity. Razavi's main concern in the issue of women is the issue of women's education, and he wants to make reforms in the field of freedom of expression in the Arab society.
Alaa Fleayyih Hasan Al-Zuhairi, Faramarz Mirzaei, Hadi Nazari Monazam, Kobra Roshanfekr,
Volume 4, Issue 4 (12-2022)
Abstract
The discourse is a group of words that define patterns of behavior, and affect community life negatively and positively. Therefore, the discourse of power penetrated all economic, political, cultural and even psychological issues, and since the novel is a narrative world that evokes what appears from the reality of society and what is hidden from it, it cannot be analyzed in isolation from the discourse Authority. The discourse of power has a distinct presence in the narrative formation in the novels of Hamid Al-Aqabi, especially in the formation of the active structure. Because it is the most influential of the system of power and its dominant discourse. The research tries to show the most important features of authority and the influence of various characters in Hamid Aqabi's novels. The issue of the study imposed on us the use of the analytical descriptive approach, in general, and the formative structural approach as a narrative approach for analyzing the fictional discourse, relying on the tools of induction, deduction and interpretation. Two novels " Eqtafi 'athari " and " Alfiran " were chosen for their treatment of the political system of power and the dominant phenomena, according to what the characters require in order to draw conclusions and understand them. The research reached several results, the most important of which are: that power did not only affect the living conditions, but also affected behaviors and impressions, and this discourse became pervasive in the fabric of society, and the defeated characters were more effective than the characters belonging to the two novels, and Al-Aqabi tried to portray the negative impact of power. On fictional characters such as fragmentation, loss of identity, and severe psychological crises.
Mohammad Naderi, Akram Roshanfekr, Farhad Rajabi,
Volume 5, Issue 2 (12-2023)
Abstract
As a form of narration characterized by various writing techniques, the novel can be analyzed from different critical perspectives. Gérard Genette, drawing on several theorists, studies the function of time in the novel by presenting a salient structural model that can be used to examine its presentation in a given literary text. This study examines the structure of time in Fazl Mokhadar’s Eskandarone based on Genette’s framework. Throughout the novel, the author employs a standard speed of time by creating dialogue between the narrator-protagonist and minor characters. The writer also fills the gap in time by using analepsis in connecting the events and the minor heroes. However, it is possible to observe anachrony in the narrative structure as the narrator sometimes narrates the events in terms of analepsis. Moreover, the author speeds up the narration by eliminating/summarizing events and slows the narration through pauses. This study finds that Eskandarone enjoys a regular and ordered temporal structure which is created by the narrator. The most important aspect of the narrative is its open-ended form as the narrator ends the novel by prolepsis. The novel, accordingly, oscillates between standard and negative narrative speed.
Kobra Roshanfekr, Nazal Hasan Jatool, Hadi Nazarimonazam, Maha Halal Mohammad,
Volume 5, Issue 2 (12-2023)
Abstract
As each text is essentially a mosaic made up of quotations from other texts, intertextuality indicates the presence of multiple voices in literary texts. A given text, accordingly, is purely a reproduction of previous cumulative experiences, collected and coalesced into the new textual structure which dwells on previous texts that were disparate, multiple, and diverse in nature. Every text is intertextual, because the text appears in a world full of texts (previous texts, texts surrounding it, and others present in it), and its central strategy is deconstruction for rebuilding.
Fatemeh Solgi, Kobra Roshanfekr, Faramarz Mirzaie,
Volume 5, Issue 4 (6-2024)
Abstract
As an artistic technique, narration represents reality and depicts the story of societies and individuals. In contemporary Iraqi fiction, narration is utilized to portray and visualize the pain and suffering of Iraq and its citizens in a very tangible manner by drawing on reality and human emotions. In this context, language plays a pivotal role in showcasing the realities in contemporary Iraq. Stylistics, as a critical approach, pinpoints different and multifaceted linguistic features of a literary text. The Iraqi novel constitutes an important part of the contemporary Arabic narrative and holds a special place in Arabic literature. Recently, the social novel has achieved a considerable foothold in Iraqi fiction. This study examines the portrayal of Iraqi people’s pain and suffering in Maysalun Hadi’s A Light Pink Dream (2009) from a stylistic point of view. Also, this study addressed the distinguishing characteristics of the author’s style as observable in the novel. The main objective of this study is to pinpoint the characteristics of the Iraqi novel after 2003 and analyze the linguistic stylistics of the case study novel, focusing on the pain and suffering of the Iraqi people. It adopts a descriptive-analytical approach to examine the novel at the levels of composition, rhetoric, and implication. It finds that the author draws on a variety of stylistic devices to share her personal and social experiences in the realm of narration. The novel makes an idiosyncratic use of language in that it utilizes compositional, rhetorical, and implicative components to showcase the pain and suffering of Iraqi people under the shadow of war, occupation, and political and social crises.
