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The mystical manifestations of Propher Yusuf s Story in the mirror of Ibn Faris s poems and Maulavis Masnavi
Fatemeh Ahmadi , Tahereh Chaldareh, Alieh Nouri,
Volume 3, Issue 2 (Spring & Sammer 2022)
Abstract
In the Holy Quran, God Almighty has assigned a surah to His Prophet Yusuf (AS). Mystics have adapted the truths of the Qur'an to the inner self, interpreted the verses of the soul, and finally presented pure ideas about human truth. The works of Ibn al-Farez al-Masri and Jalal al-Din Muhammad Balkhi are also full of such interpretations. This article examines the "facts and details of the story of Prophet Yusuf (AS)" by reflecting on the poems of these two famous poets and mystics. In the present study, first the joint interpretations of these two mystics about Jamal Yusuf (AS) and his dream and the smell of the shirt of Prophet Yusuf (AS) were examined and analyzed, then Jalaluddin Maulana's views about Yusuf (AS) and Zulaikha and the prolongation of his imprisonment Yusuf (AS) was explained. The results show that the Sultan of Lovers and Rumi considered the beauty of Prophet Yusuf (AS) as the manifestation of the beauty of truth and the manifestation of Prophet Yusuf (AS)'s dream in Ibn Farez's poems is an allusion to the mystics of God on whom the true existence of God has been revealed. But Maulana Jalaluddin does not have an interpretive view in this discussion. Ibn Farez considers the sight of the eyes of Prophet Yaqub (AS) by the shirt of Prophet Yusuf (AS) to indicate that he reached the gathering place, which was transmitted from the shirt of Prophet Yusuf (AS) to Prophet Ya'qub (AS), but Maulana the shirt He considers Prophet Yusuf (AS) as a symbol of discovery sciences. Rumi considers Zulaikha as a symbol of the world and considers the reason for the prolongation of the imprisonment of Prophet Yusuf (AS) to be the attention to the creature who are the captives and prisoners of the mortal world.



A narrative semiotic study of Al-Hariri’s Samarqandiya Maqamat based on Greimas’ Actantial Model
Sadegh Hashemi Amjad , Mehdi Khorrami Sarhouzaki, Hassan Majidi, Seyed Mehdi Nouri Kizghani ,
Volume 5, Issue 1 (11-2023)
Abstract
Algirdas Julien Greimas is famous for developing the Actantial Model, a narrative strategy that addresses characters’ actions and behaviors. Action determines the form and type of events and phenomena including animate creatures, objects, animals, an idea, and everything that exerts influence on the world of the narrative text. The Actantial Model has six components: The subject, an object, The sender, the receiver, a helper, and an opponent. These six actants form three axes of description: The axis of desire, The axis of power, and the axis of transmission. This study adopts a descriptive-analytical approach to examine the textual richness of Al-Hariri’s Samarqandiya Maqamat which has attracted numerous readers. The Actantial Model is applied to Samarqandiya Maqamat based on the dual relationships between the six components, each of which plays more than one role in their relationships.

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