Search published articles


Showing 3 results for Noresideh

Aliakbar Noresideh,
Volume 1, Issue 1 (winter 2019)
Abstract

The study of character and characterization in literary texts is a complex issue, which requires a comprehensive knowledge and understating of characterization methods and techniques. One reason for such complexity is the limitation of time and space in most of literary texts.  A literary character, in order to be accounted as an influential element in a literary work, should be developed within technical frameworks and equipped with motivation. The Flower Quay No Longer Answers (1961) is one of the latest novels of Malik Haddad, an Algerian poet and author whose oeuvre has influenced the literary tastes of the Algerians. In this novel, the protagonist shares common characteristics and destiny with the author. Adopting a technical method, this paper examines different layers and structures of characterization in The Flower Quay No Longer Answers in order to delineate the way the author has developed the novel’s characters. It can be suggested that an analytical method dominates the novel’s characterization structure. It can be concluded that this novel does not share common characteristics with short stories and manages to portray different images for readers due to the abundance and interconnection of characters and places. 

Miss Zahra Beheshti, Shaker Amery, Sadeq Askari, Aliakbar Noresideh,
Volume 1, Issue 1 (winter 2019)
Abstract

This article examines textual fragmentation and dispersion in Muʼnis Razzāz’s Alive in the Dead Sea (1997). It can be suggested that the novel’s fragmented textually refers to a chaotic and disorganized society, a fragmentation that can be observed at textual, temporal, spatial, character, and resolution of conflict levels. In the novel the author provides an atmosphere characterized with doubt, uncertainty, lack of faith and logic to strip classic texts of their realist and logical color. Accordingly, the novel’s fragmented textually is a democratic attempt not only to reflect dissonance and disorder but also to violate all rational and realistic principles so as to achieve borderless and infinite freedom, and confusion. As such, the novel narrates a new story based on nightmares and dreams that are indispensable to modern life. Here, Razzāz attempts to showcase the chaos and absurdity of contemporary life through textual fragmentation and confusion that generates multiple narrative levels.
Aliakbar Noresideh , Reyhane Emami Chahartagh ,
Volume 5, Issue 3 (4-2024)
Abstract

Critical discourse analysis is rooted in the critical thoughts of critics such as Foucault, Habermas and Althusser. Critical discourse analysis, considerably utilized in literary studies, examines power, ideology, and metaphor. The critical approach of discourse shows how the language users convey the ideology of powerful groups among the people and recipients of the text by using metaphor. In the critical analysis of discourse, with Vandyke (social field and historical discourse approaches) and Fairclough (which considers discourse as a social act) in particular, different approaches have emerged. From the point of view of Norman Fairclough, the analysis of a discourse is the analysis of each of the three dimensions (social action, discursive practice, text), because his hypothesis is based on the fact that there is a meaningful link between the specific features of the texts, the ways that the texts are connected with each other and are interpreted, and there is a nature of social action and it is examined at three levels of description, interpretation and explanation. Hoda Barakat, the contemporary Lebanese writer, in Barid Al-Lail narrates the life of immigrants, homelesses and refugees who are forced to leave their homes due to social, economic and political forces and live a difficult life in France. This study, based on a descriptive-analytical framework, applies two levels of interpretation and explanation to Barid Al-Lail according to Norman Fairclough's critical discourse approach. The study finds that the use of lexical possibilities at the level of meaning has made the text coherent, and by using them, the author has been able to change the perspective and mental concepts in his thought around convey concepts such as loneliness, being without anyone, fear, war, panic and expectation to the recipient. The author has tried to introduce, in the form of names, the different sections of the society that have been affected by the phenomenon of forced migration and to explain the reasons for migration and leaving the homeland.


Page 1 from 1     

© 2025 Studies in Arabic Narratology

Designed & Developed by : Yektaweb