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Showing 3 results for Nazari

Hasan Rahimi Nasab, Kobra Khosravi, Ali Nazari,
Volume 4, Issue 3 (10-2022)
Abstract

hazi Abdul Rahman Al-Gosaibi is considered as one of the most prominent writers in the Kingdom of Saudi Arabia and a renowned critic.  He used humor frequently in his works in historical, political, social, cultural, and economic guise, to showcase his critical stance towards the failed and incompetent Arab regimes in a gray tone, and towards the colonial Western regimes in a stark black tone. This paper intends to study the art of humor and its role in The Amphibian Abu Shallakh, particularly how humor carries semantic meanings with it based on a descriptive-analytical approach. Al-Gosaibi does not only intend to make the reader laugh, but aims to search for pains and fears of life in Islamic and non-Islamic communities. The writer intends to cure national and social problems through bitter and stinging humorous criticism, revealing the stupidity and naivety of society and the cleverness of rulers and states in exploiting this naivety. Al-Gosaibi’s humor has two basic features: First, in terms of significance, it carries revolutionary meanings that denounce political, social, cultural, and economic regimes around the world, especially in Arab academies. Secondly, in terms of style, it was formulated in blatant language and a strong and overwhelming tone that targets the regimes that betrayed the Arab and global causes, especially the Islamic world. In the end, it discusses the writer's most prominent methods of expressing concepts in a humorous way. 

Alaa Fleayyih Hasan Al-Zuhairi, Faramarz Mirzaei, Hadi Nazari Monazam, Kobra Roshanfekr,
Volume 4, Issue 4 (12-2022)
Abstract

The discourse is a group of  words that define patterns of behavior, and affect community life negatively and positively. Therefore, the discourse of power penetrated all economic, political, cultural and even psychological issues, and since the novel is a narrative world that evokes what appears from the reality of society and what is hidden from it, it cannot be analyzed in isolation from the discourse  Authority.  The discourse of power has a distinct presence in the narrative formation in the novels of Hamid Al-Aqabi, especially in the formation of the active structure.  Because it is the most influential of the system of power and its dominant discourse.  The research tries to show the most important features of authority and the influence of various characters in Hamid Aqabi's novels. The issue of the study imposed on us the use of the analytical descriptive approach, in general, and the formative structural approach as a narrative approach for analyzing the fictional discourse, relying on the tools of induction, deduction and interpretation.  Two  novels " Eqtafi 'athari " and " Alfiran " were chosen for their treatment of the political system of power and the dominant phenomena, according to what the characters require in order to draw conclusions and understand them. The research reached several results, the most important of which are: that power did not only affect the living conditions, but also affected behaviors and impressions, and this discourse became pervasive in the fabric of society, and the defeated characters were more effective than the characters belonging to the two novels, and Al-Aqabi tried to portray the negative impact of power. On fictional characters such as fragmentation, loss of identity, and severe psychological crises.




Kobra Roshanfekr, Nazal Hasan Jatool, Hadi Nazarimonazam, Maha Halal Mohammad,
Volume 5, Issue 2 (12-2023)
Abstract

As each text is essentially a mosaic made up of quotations from other texts, intertextuality indicates the presence of multiple voices in literary texts. A given text, accordingly, is purely a reproduction of previous cumulative experiences, collected and coalesced into the new textual structure which dwells on previous texts that were disparate, multiple, and diverse in nature. Every text is intertextual, because the text appears in a world full of texts (previous texts, texts surrounding it, and others present in it), and its central strategy is deconstruction for rebuilding.


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