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Showing 3 results for Mirzaei

Faramarz Mirzaei, Ahmad Arefi, Eisa Mottaghi Zadeh,
Volume 1, Issue 2 (Spring and summer 2020)
Abstract

Indeed, the thought that forms the artistic egation in Syntax to Negation of Revolutionary Values: Aesthetic Analysis of Negation in The Second Dog War
view of the literary text organizes the syntactic composition in the text, so the only way to reach that thought is to understand the syntactic meanings derived from the syntactic composition. That is, whenever the view of pessimism prevails over the text, the meanings derived from the syntactic composition appropriate to that view prevail over the text. We observe this in the novel "The Second Dog War" by Palestinian novelist Ibrahim Nasrallah, which is dominated by pessimism, because the characters in the novel are very negative and opportunistic, In particular, the protagonist of the novel, Rashed, who transcends all moral and social values in the pursuit of her own interests, in such a way that she fights against the revolutionary values she fought for in the past, So she rejects all those values to the point that with the help of the officer, she changes from a prisoner to a jailer and cooperates with the officer with full skill in trading with humans. This denial of values and their rejection linguistically fits the style of denial So, this style has been used more in this novel than other syntactic styles in order to fit the pessimistic view of the novel and the three levels of language, including Narration, dialogue, and description. It is because of this pessimistic view that the style of negation has a high status in the novel, especially in the matter of similarities, which are becoming more and more present in the novel, to the extent that the distinction between the original things and their similarities despite their differences in nature, it becomes very difficult. This article seeks to examine the aesthetics of the negation style in order to reveal the appropriateness between the negation tools and the pessimistic view along with the three linguistic levels using analytical descriptive methods with the help of statistical style to conclude that the narrator in this novel, The negative style has been used 1759 times, thus 52%, which is quite commensurate with the prevailing pessimistic view of the novel and the resulting corruption of oppressive Palestinian systems, because in the novel there are negative opportunistic characters who do negative things in the way of realization. They benefit, especially the protagonist of The Novel Rashed, whose character is completely negative, to the point that he turns his positive character into an opportunistic negative character.

Faramarz Mirzaei , Khalil Parvini, Zahra Rezaei,
Volume 3, Issue 2 (Spring & Sammer 2022)
Abstract

It is important to tell the history for children in the form of a story instead of a soulless and direct report. Because the story has magical tools, including character structurizing, which has attracted the attention of the audience and made it a suitable educational tool for teaching history to children. Abdul-Tawab Yossef teaches the history of Islam to children by using the art of story in his collection of stories (20 stories from the life of Prophet Muhammad). Among the author's tricks in teaching history is the design of fictional characters and their structurizing in the form of objects and animals. This collection of stories is a historical novel about the life of the Messenger of God, which narrates the real events of his life relying on artistic structures. The center of these artistic structures is character structurizing, which has been used for easy understanding of history. The narrator in these stories is designed objects and animals that the author has given life to so that they assume the dignity of humans and living creatures and narrate events from their observations as fictional characters. Based on the descriptive analytical method, this research examines 6 stories from this collection of stories and investigates how to use characters to facilitate the understanding of history and to express it in an easy way to children. The stories in this collection are divided into two parts: human characters that are taken from the history of Islam and have the role of documenting historical events in the story. The second division is fictional characters who play the role of narrators who, as witnesses, narrate the events as they happened. The author chose these characters to attract the attention of the audience to make it easy for the child to understand history by mixing reality with amazing imagination. Especially, he has established a close relationship between those historical events and the structurizing of the characters, which can fulfill the responsibility of the narrative well.

 
Alaa Fleayyih Hasan Al-Zuhairi, Faramarz Mirzaei, Hadi Nazari Monazam, Kobra Roshanfekr,
Volume 4, Issue 4 (12-2022)
Abstract

The discourse is a group of  words that define patterns of behavior, and affect community life negatively and positively. Therefore, the discourse of power penetrated all economic, political, cultural and even psychological issues, and since the novel is a narrative world that evokes what appears from the reality of society and what is hidden from it, it cannot be analyzed in isolation from the discourse  Authority.  The discourse of power has a distinct presence in the narrative formation in the novels of Hamid Al-Aqabi, especially in the formation of the active structure.  Because it is the most influential of the system of power and its dominant discourse.  The research tries to show the most important features of authority and the influence of various characters in Hamid Aqabi's novels. The issue of the study imposed on us the use of the analytical descriptive approach, in general, and the formative structural approach as a narrative approach for analyzing the fictional discourse, relying on the tools of induction, deduction and interpretation.  Two  novels " Eqtafi 'athari " and " Alfiran " were chosen for their treatment of the political system of power and the dominant phenomena, according to what the characters require in order to draw conclusions and understand them. The research reached several results, the most important of which are: that power did not only affect the living conditions, but also affected behaviors and impressions, and this discourse became pervasive in the fabric of society, and the defeated characters were more effective than the characters belonging to the two novels, and Al-Aqabi tried to portray the negative impact of power. On fictional characters such as fragmentation, loss of identity, and severe psychological crises.





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