Samaneh Moosapour , Dr.yousef Hadipour,
Volume 2, Issue 1 (Fall and winter 2021)
Abstract
The school of Impressionism has evolved from the art of painting to literature since its emergence in the late nineteenth and late twentieth centuries; And tries to describe the style of writing a literary work. This school of art emphasizes the play of light and shadow, the perception and recording of the moment, subjectivism, the ambiguity of the image, the unstable radiance of colors and the blending with the symbol in a literary work. Sana'a Shalan is the holder of the World Peace Star Award, a well-known Palestinian-born writer who has embellished the novel (Perceptions of forgetfulness in Arabic: Adrakoha Al_Nassian) with elements of Impressionist stories. Reflecting on the Impressionist elements at the bottom of the story, Shalaan, like a painter, paints a picture of reality and fantasy, a desire for world peace and justice, and important humanitarian issues such as war and displacement, has painted poverty, love and awakening of thoughts in the picture of human life.
Following this process, we read the novel in a descriptive-analytical way, analyzing the components of Impressionism, and in another part, based on the theory (Suzanne Ferguson) on the characteristics of Impressionist fiction, and examining and analyzing the perceptions of (Adrakoha Al_Nassian ) in the balance, critique and analysis. We have highlighted the data and aspects of this theory. The results indicate that the novel (Adrakoha Al_Nassian) in Arabic literature is a successful example of a fictional literature called Impressionism; Also the author of the novel (Adrakoha Al_Nassian) based on the model (Susan Ferguson) and using Impressionist features such as; Metaphorical pirang, metaphorical plot, discontinuity of time and place, incoherent narration of events, creation in the form of story and highlighting the style of story, presents ambiguity narrative in the visible layer of the story, which has replaced the unspoken narrative in the deeper layers of the story.
Ms Samaneh Moosapoor, Dr. Youssef Hadipour,
Volume 2, Issue 2 (Spring and summer 2021)
Abstract
One of the important elements in the story is the utterances of fictional characters as they illuminate the words, thoughts, and personality of the characters. Utterances are conveyed to readers via narrators, which is subsumed under the rubric of “narrative style” that determines the relationship between the narrator and characters. Adrakha Al-nassian, a realistic novel by the contemporary Jordanian writer Sanaa Al-Shalan, has taken advantage of narrative techniques in relation to characters and events and draws on the five narrative methods in order to depict political atmosphere in Syria. The objective of this descriptive-analytical study is to determine the extent to which Shalaan uses each of these methods in different fictional contexts, as each is used for a specific purpose on behalf the writer. It is observed that the use of narrative methods starts with the dominance of the narrator in the story and ends with the complete domination of characters. Narrative report is often used in the case of observing brevity and avoiding detailed descriptions of events while direct utterance is used in order to explain the psychological and cognitive dimension of characters, depicting their inner feelings in dealing with social realities.
Samaneh Soosapoor, Yousef Hadipour, Seyed Ebrahim Arman, Farhad Divsalar,
Volume 6, Issue 1 (1-2025)
Abstract
Stream of consciousness is an innovative literary technique used frequently by modernist novelists and short story writers. It plays a significant role in reflecting the narrators’ and characters’ psychological and emotional status. Origami, the Japanese art of paper folding, is an ancient field of entertainment to make intricate designs. Nowadays, Origami has achieved new aspects and dimensions as contemporary artist draw on it in order to utilize it in conceptual and practical arts. Sanaa Shalan, a contemporary Jordanian writer, has rewritten the “Forgetfulness Realized It” story primarily based on the stream-of-consciousness technique to narrate the suffering and pain of living in contemporary societies. This story has thirty parts, each of which begins with a star origami. This study adopts a descriptive-analytical approach to examine the stream of consciousness in the origami at the beginning of each part based on William James’ ideas. It pinpoints how interior monologue, lyricism, association, psychological characteristics, soliloquy, and symbols can display the psychological problems of the characters in Shalan’s story.
