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Showing 2 results for Behroozi

Zohreh Behroozi, Mohammad Javad Pour Abed, Ali Khezri,
Volume 4, Issue 1 (Autumn&Winter 2022)
Abstract

Time is one of the significant features of narration that links the events of a text together based on stylistic choices. Time, in terms of analopsis or prolepsis, can create anachrony in a text. Ghassan Kanafani, utilizing this technique in Return to Haifa, attempts to narrate the confusion and displacement experienced by the characters. This study, adopting a descriptive-analytical framework, examines the role of anachrony in introducing characters, presenting information, and affecting readers. The study identifies 31 instances of analopsis in the novel. The characters’ analopsis appears in forms of conversations and reminiscences of war and displacement as the result of stimulating of senses and attending a specific place like such as the beach, streets, and houses. In this regard, the author narrates the 20-year experience of displacement and forced migrations of people since 1947. Saeed, a character in the novel, uses prolepsis 7 times in his speeches, which probably crystallize the 1967 awareness (enlightenment) among people. It can be concluded that Kanfani expresses his optimism towards the nationalists’ movements and the Palestinian people by relying on preliminary analopsis and reporting future events, believing that people are ready to pay high costs to fulfill national goals.

Dr Mojtaba Behroozi, Ali Asghar Habibi , Miss Mona Mortazavinasab,
Volume 4, Issue 4 (12-2022)
Abstract

The utilization of imaginative elements in literature intended for children and young adults constitutes a method employed by authors to address fundamental aspects of childhood, including the enhancement of imagination, fostering good behavior, instilling courage, and promoting wisdom. An illustration of this technique is evident in the folklore narrative titled "Mah Pishooni," which is shared across various literary works, emphasizing a fantastical approach. In this research, employing the descriptive-analytical method and drawing upon the American comparative literature school, an exploration is undertaken on the high fantasy genre within the children's narrative " Mah Pishooni" (known as Badr al-Budur in Arabic) as crafted by Persian and Arabic authors. The examination encompasses four stories contributed by four distinct writers: Fazlollah Mohtadi, Mitra Bayat, Yaqub al-Sharouni, and Kamil al-Kilani. The objective of this study is to scrutinize the distinctions and similarities among various subgenres of high fantasy, including gothic, didactic, animal, fairy, quest, allegorical fantasy, etc. within the specified statistical population. The findings of the study reveal that Persian stories exhibit a greater prevalence of high fantasy genres, surpassing Arabic stories by a factor of 4.7. Furthermore, among the stories analyzed, " Mah Pishooni based on Folklore" stands out as the most fantastical, boasting a frequency of 66 fantasy genres in the examined statistical population.
 


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