Showing 3 results for Amouri
Dr. Naeem Amouri , Mrs Parvin Khalili, Dr. Masoud Bavanpouri ,
Volume 3, Issue 1 (Fall and winter 2022 2022)
Abstract
Magical realism means the combination of reality, magic and imagination, that is, reality and the unreal. This style is a new style in Arabic novelism, in addition to exploring the narrative form and transcending the boundaries of the narrative tradition, opening the way for him to explain some of the issues through this new form of narrative. This literary tendency has developed in Arabic novels and among its writers; one of them is Ahmad Khaled Tawfiq (1962- 2018). He is one of the pioneers of the literature of fear in contemporary Arabic literature. He has written valuable works and novels in this field; one of his most famous novels is "Fi Mamar el-Feeran" and is an advanced and advanced type of "The Story of the Exalted One", No. 68 of his supernatural series. In this novel, he has addressed the social issues of his society, Egypt, with a place of fear and magic, imagination, fear and darkness and myth. The present study is an analytical-descriptive study of the events of this novel from the perspective of magic realism and tries to understand the social and political aspects hidden in it. One of the most important findings of the research is that Khaled Tawfiq draws a picture of contemporary Egyptian society and how they deal with issues such as poverty, ignorance, darkness, and fear of enemies, and exposes problems of their nation such as despair, deprivation, and cruelty such as enemies. Israel picks up. In this way he has used extensive imagination and various techniques such as combining real elements with the imagination and applying Greek myths such as Odysseus, Prometheus, etc., and accurately describing superstitious persons and personalities.
Vali Baharvand , Naeem Amouri, Parvin Khalili,
Volume 3, Issue 2 (Spring & Sammer 2022)
Abstract
Discourse explains the connection between language and society because discourse is the use of language to influence the audience. Critical discourse analysis originated from sociology and is one of the modern critical approaches influenced by the philosophical views of Michel Foucault, Marx and Freud and believes that there is a dialectical relationship between language and society. One of the pioneers of this approach is Norman Fairclough, whose theory rests on three levels: description, explanation, and explanation. Alaa Al Aswany's Automobile Club is one of the most famous contemporary Arab novels that explains the ideology of power and the social and political conditions in a modernist style in Egyptian society. In this article, we try to analyze the critical discourse of this novel based on the three levels of Norman Fairclough's theory adhering to the descriptive-analytical method. The results show that vocabulary and structures such as choosing the imperative form and using plural pronouns instead of singular pronouns describe solidarity, totalitarian ideology, antagonism and contrast, and clarify the contrast between the character of the kou who oppresses Egyptians and obeys foreigners. The repetition describes the discourse of protest and resistance against colonialism, the most important place being the "Car Club" where important events by foreigners and British take place. At the level of interpretation, historical intertextuality refers to previous texts such as Quranic verses, narratives, and historical events such as the Holocaust, the Haganah, Hitler's dictatorship and his crimes against humanity. At the level of clarity, the author explains the ideology of Egyptian colonialism and the power in the two forms of British power over Egypt in a strong way, and also the power of Englishman James over Egyptian slaves weakly in the novel. Al-Aswany reflects the revolution of the oppressed against the oppressor, and his most important goals are the destruction of the British occupation and the independence of Egypt, and in this way the author reflects the dignity and humanity that were destroyed under the clutches of the colonists.
Naeem Amouri, جواد سعدون زاده, Yousef Motaqiannia,
Volume 18, Issue 1 (9-1983)
Abstract
Existentialism emerged as a result of the two world wars that left darkness and doubt in our world. rather, it was linked to novels and short stories since its beginning. Mustafa Mahmoud had extensive intellectual and philosophical contributions to his literature. Based on this, the research attempts to study the novel “The Impossible” by Mustafa Mahmoud according to the existentialist doctrine, using the descriptive, analytical, and philosophical approach. The results show that Mustafa Mahmoud tried to show the most important existentialist conflicts in the novel “The Impossible”; Anxiety appeared in the adventures of the novel's characters, as "Helmy" and "Fatima" attempted to escape anxiety by forgetting, gambling, and sexual relations. The source of anxiety was in the personal decisions and multiple desires of the two heroes. As for freedom, it appeared in two contradictory forms: the image of paternal authority rooted in the novel's society, and the liberated vision standing against prevailing norms and laws. From the absence of freedom came the birth of alienation, the monotony of the hero, and his laziness. There is a close connection between self-confidence, the lack of transparent feelings, non-normativity, and deviation from society and its morals, and the separation of the individual and his alienation from himself and from society. Likewise, the relationship between the self and the other appeared in a dialectical form full of quarrels and continuous conflicts in the family within the novel's society.
