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The mystical manifestations of Propher Yusuf s Story in the mirror of Ibn Faris s poems and Maulavis Masnavi
Fatemeh Ahmadi , Tahereh Chaldareh, Alieh Nouri,
Volume 3, Issue 2 (Spring & Sammer 2022)
Abstract
In the Holy Quran, God Almighty has assigned a surah to His Prophet Yusuf (AS). Mystics have adapted the truths of the Qur'an to the inner self, interpreted the verses of the soul, and finally presented pure ideas about human truth. The works of Ibn al-Farez al-Masri and Jalal al-Din Muhammad Balkhi are also full of such interpretations. This article examines the "facts and details of the story of Prophet Yusuf (AS)" by reflecting on the poems of these two famous poets and mystics. In the present study, first the joint interpretations of these two mystics about Jamal Yusuf (AS) and his dream and the smell of the shirt of Prophet Yusuf (AS) were examined and analyzed, then Jalaluddin Maulana's views about Yusuf (AS) and Zulaikha and the prolongation of his imprisonment Yusuf (AS) was explained. The results show that the Sultan of Lovers and Rumi considered the beauty of Prophet Yusuf (AS) as the manifestation of the beauty of truth and the manifestation of Prophet Yusuf (AS)'s dream in Ibn Farez's poems is an allusion to the mystics of God on whom the true existence of God has been revealed. But Maulana Jalaluddin does not have an interpretive view in this discussion. Ibn Farez considers the sight of the eyes of Prophet Yaqub (AS) by the shirt of Prophet Yusuf (AS) to indicate that he reached the gathering place, which was transmitted from the shirt of Prophet Yusuf (AS) to Prophet Ya'qub (AS), but Maulana the shirt He considers Prophet Yusuf (AS) as a symbol of discovery sciences. Rumi considers Zulaikha as a symbol of the world and considers the reason for the prolongation of the imprisonment of Prophet Yusuf (AS) to be the attention to the creature who are the captives and prisoners of the mortal world.



Investigation and analysis of the characters of Al Mustanqa novel based on the action pattern of Grimas
Ali Ahmadi,
Volume 4, Issue 3 (10-2022)
Abstract

 The Character is one of the fundamental components of the story, and one of its approaches is activism. The action in the story is the same as the action of the character, and the use of each of these characters in the story requires special precision and tenderness, every writer can establish a deep connection with the reader and draw him into the heart of the story by using the characters correctly, and accompany him to the end of the story. This paper aims to analyze the characters of Suhar's novel Al Mustanga, which is one of the realist novels of this author, based on Grimas’s pattern of action, using a descriptive and analytical method. Grimas, under the influence of Propp, proposed his theory of narratology and his model of action is applicable in almost all literary genres. he proposed a model for the investigation of character actions in the story, which consists of 3 models: "actor/target", "active/active" and "active/anti-active" are formed. The findings of the research indicate that the characters of the novel have distinct value systems (love and betrayal, forgiveness and selfishness, revenge and benevolence, swamp and highway) according to Grimas's action model: Fouad as The actor character in the traditional atmosphere of the Egyptian society has moved on the way to reach his goal without any stagnation, and has set the action of the story and put other components of this model on the path of role-playing.
 
The mystical interpretation of the story of Prophet Abraham (peace be upon him), in the Diwan of Ibn Farid and the Masnavi of Molavi (Rumi)
Tahereh Chaldareh, Fatemeh Ahmadi,
Volume 6, Issue 1 (1-2025)
Abstract
Prophet Abraham (peace be upon him), in addition to his prophetic status, embodies the image of a mystic who successfully passes different stages of spiritual journey and the struggle against the self, which manifest in various forms such as the “denial of Azar, the sacrifice of his offspring, and the fire of Nimrod”. He ascends from the stage of annihilation in Allah to the station of subsistence by Him and becomes an Allah’s friend. This article employs a descriptive-analytical method to explore the truths and subtleties of the story of Prophet Abraham (peace be upon him) through reflections on the poetry of Ibn Farid of Egypt and Jalal al-Din Muhammad Rumi, both of whom stand at the pinnacle of theoretical and practical mysticism. In this research, the commonalities in the poetry of these two renowned poets are first examined and analyzed in three sections: "Abraham (peace be upon him) and the Birds", "Abraham (peace be upon him) and the Fire of Nimrod", and "Abraham (peace be upon him) and the Stars". Subsequently, the distinctions in each poet’s interpretation of the stages of Prophet Abraham's (peace be upon him) status, his relationship with Azar, and the sacrifice of his son are elucidated. The findings indicate that Ibn Farid, unlike Molavi, does not adopt an allegorical perspective on the birds. In discussing the fire of Nimrod, Ibn Farid attributes the extinguishing of the fire and its transformation into a rose garden as the result of Abraham’s connection to the state of unity and survival after annihilation. Conversely, Molavi views the fire of Nimrod as the fire of the self, which, when transcended, transforms into flowers and basil. Ibn Farid perceives the stars as manifestations of the Divine, while Molavi argues that the prophets did not initially attain the stage of monotheism and ascribe independent existence to beings. Ibn Farid delves into the inner secrets and allegorical meanings of the rituals of Hajj, considering the status of Abraham as a special guardianship, Mecca as the Divine Presence, and the pilgrim as the manifestation of the Hidden Presence in the four pillars. Molavi, on the other hand, regards Azar and the sacrifice of the son as liberation from the attachments of the self and nature..

Historical Features of Radobis and Bride of Madaen: A Comparative Study
Zahra Asadi, Aliasghar Habibi, Abdolhamid Ahmadi,
Volume 6, Issue 2 (4-2025)
Abstract
Novels can be categorized into different types based on their content. One category is the historical novel which examines historical events/issues from a realistic perspective. In this type of novel, the writer presents historical facts intertwined with imagination, reshaping history in a new and appealing form. It can be argued that the blend of historical facts and literary imagination is one of the most important characteristics that has attracted various classes of society to such novels and has made these novels easily comprehensible to them. This study examines two novels written by Naguib Mahfouz (Egypt) and Ibrahim Modarresi (Iran) based on historical events. The two writers artistically depict historical documents as they are familiar with the ancient history of their countries. Therefore, and due to the importance of research in historical novels, this study aims to explore the characteristics of historical novels in Mahfouz’s Radobis and Ibrahim Modrresi’s Bride of Madaen, by building on comparative literature theory. The results indicate that the writer’s extensive attention to the historical dimension in Bride of Madaen brings it closer to historical writings while in Radobis, the writer focused more on the artistic and imaginative aspects, making it more artistic than historical.

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