Search published articles


General users only can access the published articles
Showing 7 results for Subject:

Shahriar Giti, Fatemeh Yousefi,
Volume 1, Issue 1 (winter 2019)
Abstract

The relationship between the place and the human being is a very strong and special one, because when a man loses his place, he loses his calm and tranquility. The place is the source of security and tranquility, as the source of aversion, fear and despair. The fictional world created by the novelist is not excepted to that. If we recognize that the character is the active factor in constructing the narratives and generating the facts, and in order to realizing these events and movements of characters, there must be a local theater in which these events take place and the characters move on. And the feelings of the characters and their impressions are different to it, whether positive or negative. In view of the novel Hina Tarakna Al-jisr (when we left the bridge) by Abdurrahman Munif, we note that the writer, like the other gifted novelists, employs the place - as an artistic agent and links Zaki Al-nadawi - the main character - to the place. So that, determines the world- place in which this character lives, with his thoughts, opinions, feelings and emotions embodied in the place, an artistic embodiment establishing a strong relationship between character and the place, so that the reader clearly sees that the place affects him as well as the character affects it.

Elham Ghorbani, Abbas Arab, Marziyeh Abad,
Volume 4, Issue 4 (12-2022)
Abstract

Identity, in the sense of who one is, defines a person's dialectical relationship with the outside world, and is regarded as an example of the quality of people's behavior in society. Among the sociologists, Sheldon Stryker has linked identity with emotions and believes that among the identities formed in a person, an identity that she/he experiences extreme positive or negative emotions in relation to the roles, people and social situations aligned with it, becomes a salient identity. Considering that narrative literature has a wide scope in reflecting social identity; the novel Vatan Men Zujaj "Homeland of the Glass" written by Yasmina Saleh, an Algerian author, focuses on identity questions that occur in the form of multiple social roles, and portrays an intertwined series of influences of Algerian society on the protagonist's choice of identity. The present research uses content analysis and text-oriented reading based on Stryker's theory to examine the social structure of the target society and the emotions generated from it, which play a role in salience of identity. The findings of the study indicate that the protagonist of the story has achieved common emotional meanings through effective communication with the educated stratum of the society such as his schoolteacher, experience of university environment, and communication with journalist colleagues who have increased his scope of social awareness. This has also led to his commitment to collective groups and his inclination to social roles including journalism, which is in line with his salient identity as "social police". Also, the numerous situations that have been effective in reproducing the emotions of the protagonist are qualitatively noticeable in the canonization of identity.
 

Monireh Zibayi,
Volume 5, Issue 2 (12-2023)
Abstract

The title of a work is a gateway to its textual and thematic underpinnings. Whether the title represents a work of prose or poetry constitutes a very important area in linguistics, in which semantic analysis serves to analyze a text for readers. Najm Wali is a contemporary Iraqi novelist who skillfully illustrates social realities in his works. The carefully selected titles of his novels hint at a particular social, cultural, or political reality of Iraqi society. This descriptive-analytical study examines the semantic features of the author’s titles as well as their lexical, semantic, phonetic, and syntactic aspects. The study suggests Wali’s titles are chosen strategically to signify certain social issues, directing our attention to those problems before we even start reading the novel.     
                                                                                                  
                                                                   
 
Maryam Qasem Mohammad Al-Nasrawi, Ahmadreza Heidaryan Shahri, Ahmad Mehdi Alzubaid,
Volume 5, Issue 4 (6-2024)
Abstract

The objective of this research is to examine the societal function of patriarchal authority in The Lament of Mesopotamia (1939) by Abdul Rahman Majeed al-Rubaie and Fereydoon Had Three Sons (2000) by Abbas Maroufi. This study does not delve into the aesthetic aspects of narrative structure. Instead, it focuses on the role of three characters who symbolize the conscious embodiment of the controversial influence of social and cultural phenomena, specifically patriarchal power. It explores the extent to which patriarchal power in the 1970s can be analyzed from a feminist perspective, thereby highlighting the dominance exerted by men over society in light of various contributing factors. This topic holds significance in terms of addressing the patriarchal rule across all phenomena, employing expressions of power through figures such as fathers, tribal leaders, and government authorities. The research examines the interrelationship between Iraqi and Iranian novels, with a particular focus on exposing patriarchal power as a defining cultural phenomenon within both societies. Utilizing a comparative methodology rooted in the American literary school, this research identifies the hidden patterns and symbols inherent in cultural phenomena. Furthermore, it highlights common socio-cultural events depicted in the two novels, as well as the incorporation of Marxist ideas emphasizing themes of alienation and poverty in The Lament of Mesopotamia. Additionally, Maroufi directs attention to the prevailing poverty in the external environment of the country and the direct influence of Marxist political thought. Both authors emphasize the convergence of sensual instincts and struggles for social power. Al-Rubaie tackles it by expressing social and religious conflicts in an Eastern context, while Maroufi predominantly focuses on the Western realm of social power struggles.
 
Monireh Zibaei, Ibrahim Ali Naithal Al-Gharabi,
Volume 6, Issue 2 (4-2025)
Abstract

As fiction revolves around characters, events, and settings, it seems that narratology can arguably provide a critical perspective to examine its different layers. The analysis of a literary text’s narrative structure potentially yields new dimensions to literary studies. Thistles and Cloves is a particular case in point, which has attracted considerable readership in recent years. The novel bitterly narrates the suffering and oppression inflicted on Palestinians. This study has appointed this novel as its case study in that it provides a historical rendition of Palestine. Also, the novel is equipped with idiosyncratic narrative components that should be decoded. Hence, the researchers draw on a narrative approach to address the novelist’s utilization of narrative components to display the tragic reality of Palestine. This study finds that the novelist has effectively employed particular narrative elements and factors to create an entertaining aura to highlight the significance of characters as the most essential narrative item. The author portrays parts of the history of the resistance and struggle of Palestinians against oppression and their struggle to liberate their country to show his devotion to his homeland.

Elham Khademi, Marzie Abad, Mohammad Javad Mahdavi, Mahdi Kermani,
Volume 6, Issue 3 (3-2025)
Abstract

In Erik Homburger Erikson's theory of psychosocial development, adolescence is the fifth stage. The main problem of this stage is the identity crisis, although not in its critical sense. In this article, identity is explored based on this theory in the Arabic young adult novel Cappuccino and the Persian Call Me Ziba. The novel Cappuccino is written by Fatima Sharafeddin, a Lebanese writer, and Call Me Ziba, is written by Farhad Hassanzadeh, an Iranian writer. The atmosphere of both novels is narrated in contemporary era. The main characters in Cappuccino are a young girl and a young boy, and the main character in Call Me Ziba is a young girl. These characters are involved in challenges and try to solve them. In Cappuccino, family violence of men against women is the main theme. Call Me Ziba portrays the most acute life conditions for adolescents and the possibility of getting rid of them. Paying attention to adolescence in order to form a successful identity has been the concern of many non-literary researches, but in literary studies, less attention has been paid to this period and the notion of identity; Therefore, in this research, the two novels are examined by using Erikson's theory, descriptive-analytical method, and the comparative literature approach. The results indicate that in the novels Cappuccino and Call Me Ziba, adolescent characteristics are placed in three categories based on Erikson's psychosocial development theory: 1) Identity crisis; 2) Identity-seeking, which itself includes the subcategories of identification, receiving social support and adolescent protest against the value system of adults in adolescence; and 3) Fidelity. Upon examining the place of identity and identity challenges of youngs in the novels Cappuccino and Call Me Ziba, it can be concluded that encouragement to patience, love of family, respect for elders, support of family members, understanding of family's unfavorable economic situation, and fidelity to family members are emphasized a lot.

 

Ginan Hussein Khenyab Al- Darraji, Bahar Seddighi, Ahmadreza Heidaryan Shahri,
Volume 6, Issue 4 (4-2025)
Abstract

The setting is one of the most important elements of a literary work, particularly in novels. It seeks to recreate reality and allows the reader to understand the novel's events and immerse themselves in it as if it were real, even though it is a product of imagination. This study aims to analyze the significance of the setting in Jabra’s novels, exploring how the setting contributes to the construction of the novel and imbues it with symbolism and cultural meanings. It should be noted that previous studies are limited to the physical aspects of the setting without examining its role within the text, failing to address questions about the setting within the narrative discourse to comprehend the novel’s events. Jabra has argued that the concept of space is tied to reading to understand the unique ways in which Arabic literature conceptualizes these ideas. Critics believe that studying the novelistic setting enriches discussions about literary texts, as literature relies on and is grounded in time to create its space and imagery. It also allows us to engage with broader issues related to the interplay between time and space in the selected novels, compared to their counterparts in historical reality, and the resulting challenges of textual-literary diagnosis about real-world referents. Examining the setting as a structural element in Jabra Ibrahim Jabra’s novels is a pivotal aspect that lends artistic and cultural depth to the narrative text. It becomes evident that Jabra did not merely treat the setting as a narrative necessity but infused it with profound meanings that complement the characters and events, making the setting an active participant in the novel. The methodology utilized in this study is a structural-genetic approach. The findings of this article suggest that Jandari’s concept of novelistic space implies multiple meanings and dimensions. Ibrahim Jandari maintains that the study of spatial settings is achieved by examining these intellectual principles within the narrative text of the novel.


Page 1 from 1     

© 2025 Studies in Arabic Narratology

Designed & Developed by : Yektaweb