The Pragmatics of Impressionism in Received by Oblivion

Authors
Samaneh Moosapour 1
Dr.Yousef Hadipour 2
1 PhD Student in Arabic Language and Literature department,Faculty of Literature and Humanities Islamic Azad University of Karaj,Karaj, Iran.
2 Assistant Professor of Arabic Language and Literaturedepartment, Islamic Azad University of Karaj,Karaj,Iran.(Corresponding Author)
10.52547/san.2.1.276
Abstract
The school of Impressionism has evolved from the art of painting to literature since its emergence in the late nineteenth and late twentieth centuries; And tries to describe the style of writing a literary work. This school of art emphasizes the play of light and shadow, the perception and recording of the moment, subjectivism, the ambiguity of the image, the unstable radiance of colors and the blending with the symbol in a literary work. Sana'a Shalan is the holder of the World Peace Star Award, a well-known Palestinian-born writer who has embellished the novel (Perceptions of forgetfulness in Arabic: Adrakoha Al_Nassian) with elements of Impressionist stories. Reflecting on the Impressionist elements at the bottom of the story, Shalaan, like a painter, paints a picture of reality and fantasy, a desire for world peace and justice, and important humanitarian issues such as war and displacement, has painted poverty, love and awakening of thoughts in the picture of human life.

Following this process, we read the novel in a descriptive-analytical way, analyzing the components of Impressionism, and in another part, based on the theory (Suzanne Ferguson) on the characteristics of Impressionist fiction, and examining and analyzing the perceptions of (Adrakoha Al_Nassian ) in the balance, critique and analysis. We have highlighted the data and aspects of this theory. The results indicate that the novel (Adrakoha Al_Nassian) in Arabic literature is a successful example of a fictional literature called Impressionism; Also the author of the novel (Adrakoha Al_Nassian) based on the model (Susan Ferguson) and using Impressionist features such as; Metaphorical pirang, metaphorical plot, discontinuity of time and place, incoherent narration of events, creation in the form of story and highlighting the style of story, presents ambiguity narrative in the visible layer of the story, which has replaced the unspoken narrative in the deeper layers of the story.
Keywords
Art
Impressionism
Suzanne Ferguson
Pirang
Adrakoha-Al-Nassian
Sana'a Sha'lan
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Studies in the Arabic Geosciences
Volume 2, Issue 1 - Serial Number 3
Winter 2021
Pages 276-301